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| Yoshu Chikanobu, Chiyoda Palace: The Inner Rooms, 2nd Meal on the New Years Day |
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| Item No | #1080027059 |
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| Item | Ukiyo-e(Beauty) |
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| Artist | Yoshu Chikanobu |
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| Price | $200.00 |
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| Weight | 0.03kg |
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| | 70cm 27 1/2" | | | 35cm 13 3/4" |
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| Shipping method |
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Yoshu Chikanobu (1838-1912) was a popular artist in the Meiji period, the era from 1868 to 1912 when Japan underwent rapid westernization and the emperor was reinstated as ruler. Like many other print designers of these years, Chikanobu worked with subjects of traditional Japanese woodblock prints, such as actors, courtesans, famous sites, and beautiful women, while at first reflecting western conventions in art and picturing current events, such as the Saigo Rebellion and various battles of the Sino-Japanese War. In fact, his prints are frequent illustrations in history books about the Meiji era.
However, he later changed his approach and embraced more traditional themes stemming from his recollections of life in old Edo, before the modern period ushered in by the Meiji emperor.
He became particularly well-known for his exquisite expositions of women's fashion, including both traditional and Western clothing, distinctively illuminating the changes and development in coiffures and make-up through the centuries. Comparing to other vigorous glamorous bijin-ga (paintings of beauties), his bijin-ga depict soft and graceful girlish beauty.
This series titled "Chiyoda Palace: The Inner Rooms" is one of his representative "kanjyo-e" (paintings of court ladies) genres. This artwork depicts court ladies of the palace enjoying ikebana flower arrangement. Each kimono worn by each court lady is very colorful and impressive. Karazuri embossing technique is partially used for this print thus making it look more special.
The title "Chiyoda-no-ouoku Gantan Nidome-no-gohan" is written in the cartouche in the upper right of the right print and signature of Yoshu Chikanobu is placed in the lower left on the left print.
Date of printing (September 3, 1895)and publishing (September 8, 1895) and publisher's name "Fukuda Hatsujiro" are written in the cartouche placed in the left below of the left print
Triptych
Slight soiling |
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