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Mizuno Toshikata (1866-1908) was born as Mizuno Kumejiro in Kanda, Tokyo. When he was 13 years old, his father sent him to the nishiki-e printmaking school of Tsukioka Yoshitoshi. He was also apprenticed to a ceramic painter. And later he was instructed in traditional Japanese painting by Shibata Hoshu and Watanabe Seitei.
He did a little bit of everything - war prints, illustrations and nevertheless he managed to continue a career as a serious painter and printmaker. In 1887 he was lucky and could get the job formerly held by Yoshitoshi as an illustrator at Yamato shinbun - a Tokyo newspaper. This gave him a stable income.
Mizuno published several series of bijin prints and genre scenes with women and children. Among his publishers were Sato Shotaro and Akiyama Buemon. His representative artworks are "Thirty-six Selected Beauties" and "Fountain Water (Iwa Shimizu zu)".
After 1900 Mizuno Toshikata was a well-recognized illustrator, painter and printmaker. He became teacher of Kaburagi Kiyokata, Arai Kanpo and Ikeda Terukata.
This series is based on the famous anthology of waka poems "Thirty six Master Poets" compiled by Fujiwara-no-Kintou. Master poets has been popular theme for artists. Toshikata depicted 36 beauties from different periods of time from ancient time to the Edo era and the viweres can see the customs and manners of different periods.
This artwork depicts a beauty from the Genkou era (early 14C) on her journey with her male attendant. They are having a rest under the pine tree on the river side. The beauty is wearing a hat called ichime gasa with tareginu veil. Tareginu veil was designed to protect face against incects and to hide it from others. She is lookig backwards showing a part of her face between the veils. Seeing Houou or Phenix patterns are printed on the veil, it can be guessed that the beauty may be a noble lady. Nunome zuri and Karazuri embossing are applied to the veil and a part of her kimono.
Artist's signature and a seal applied on the left below
The title "Sanjyu-rokkasen Temari Keicho-koro-fujin" is written in the cartouche in the upper right. Karazuri embossing is applied here.
Good impression and colors
Slight stains and soiling
Repair mark on the back
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