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Tsukioka Yoshitoshi(1839-1892) is widely recognized as the last great master of Ukiyo-e. In addition, he is regarded as one of the form’s greatest innovator and an artist who was almost single handly struggle against the time and techonology for pushing the traditional Japanese woodblock prints to a new level.
The series called "Fuzoku Sanjyu-Sanso" is composed of 32 prints depicting various women from the Edo period to the Meiji period. "So" in the title has double meaning of "figure" and "look like something."
This series is one of Yoshitoshi's representative artworks of beauty prints and viewers can find the connection with Toyokuni III's "Ima-you Sanjyu-ni so."
Here, free love to the child is felt from the female figure that holds my child. And, it is possible to catch a glimpse of a pleasing mother and child image.
The series title "Fuzoku Sanjyu-Sanso" is written in the rectangular cartouche which looks like a woodden tag at the upper right, and the title of this work "Kawayurashi-so meiji zyuunen irai naishitsu-no fuzoku" is shown next to the series title.
"Naishitsu" means others' wives.
The artist's signature "Yoshitoshi" and his seal "Taiso" are applied at the middle right side of the image.
Published in Meiji 21 (1888).
Good impression, color, and condition
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